Oil On Canvas, Real Flavor of Old Masters

All Arkhip Ivanovich Kuindzhi 's Paintings
The Painting Names Are Sorted From A to Z


ID Image  Painting (From A to Z)       Details 
23230  
Birch Grove (nn02), Arkhip Ivanovich Kuindzhi
 
 Birch Grove (nn02)   1879 Oil on canvas (dimensions unknown) state Russian Museum,Leningrad
35267  
Cloud, Arkhip Ivanovich Kuindzhi
 
 Cloud   cn40 1900-1905 Oil painting 140x194cm
35252  
Dnieper-s Moonlight, Arkhip Ivanovich Kuindzhi
 
 Dnieper-s Moonlight   cn40 1880 Oil painting 105x144cm
35245  
Dniester, Arkhip Ivanovich Kuindzhi
 
 Dniester   cn40 1901
35264  
Elbrus, Arkhip Ivanovich Kuindzhi
 
 Elbrus   cn40 1898-1908 Oil painting 36x62cm
35260  
Elbrus-Moonlight, Arkhip Ivanovich Kuindzhi
 
 Elbrus-Moonlight   cn40 1890-1895 Oil painting 36.5x55.4cm
35255  
Eventide, Arkhip Ivanovich Kuindzhi
 
 Eventide   cn40 1885-1890 Oil painting 29x57.5cm
35256  
Eventide, Arkhip Ivanovich Kuindzhi
 
 Eventide   cn40 1890-1895 Oil painting 38.7x55.5cm
35241  
Landscape, Arkhip Ivanovich Kuindzhi
 
 Landscape   cn40 1874
35244  
Landscape, Arkhip Ivanovich Kuindzhi
 
 Landscape   cn40 1885-1890 Oil painting 39x53cm
35246  
Landscape, Arkhip Ivanovich Kuindzhi
 
 Landscape   cn40 182 Oil painting 70x110cm
35247  
Landscape, Arkhip Ivanovich Kuindzhi
 
 Landscape   cn40 1873 Oil painting 76x130cm
35248  
Landscape, Arkhip Ivanovich Kuindzhi
 
 Landscape   cn40 1873 Oil painting 79.5x62.5cm
35258  
Landscape, Arkhip Ivanovich Kuindzhi
 
 Landscape   cn40 1890-1895 Oil paiting 38.8x52.9cm
35265  
Landscape, Arkhip Ivanovich Kuindzhi
 
 Landscape   cn40 1898-1908 Oil painting 39x53.5cm
35268  
Landscape, Arkhip Ivanovich Kuindzhi
 
 Landscape   cn40 1898-1908 Oil painting 40x54cm
35269  
Landscape, Arkhip Ivanovich Kuindzhi
 
 Landscape   cn40 1905-1908 Oil painting 107x169cm
35259  
Noon-the drove on the campo, Arkhip Ivanovich Kuindzhi
 
 Noon-the drove on the campo   cn40 1890-1895 Oil painting 42x51cm
35249  
North, Arkhip Ivanovich Kuindzhi
 
 North   cn40 1879 Oil painting 132x103cm
35263  
Oak, Arkhip Ivanovich Kuindzhi
 
 Oak   cn40 1900-1905 Oil painting 63x164cm
77787  
Portrat der Vittoria Marini, Arkhip Ivanovich Kuindzhi
 
 Portrat der Vittoria Marini   Deutsch: um 1850 English: c. 1850 Medium Oil on canvas Dimensions Deutsch: 63,5 ?? 47,1 cm cyf
35266  
Rainbown, Arkhip Ivanovich Kuindzhi
 
 Rainbown   cn40 1900-1905 Oil painting 110x171cm
35250  
Silver Birch, Arkhip Ivanovich Kuindzhi
 
 Silver Birch   cn40 1879 Oil painting 91x181cm
35257  
Sunset, Arkhip Ivanovich Kuindzhi
 
 Sunset   cn40 1890-1895 Oil painting 40.5x53.5cm
35243  
The Boat on the sea, Arkhip Ivanovich Kuindzhi
 
 The Boat on the sea   cn40 1875
35251  
The empress of rain, Arkhip Ivanovich Kuindzhi
 
 The empress of rain   cn40 1879 Oil painting 102x159cm
35253  
The evening of Ukraine, Arkhip Ivanovich Kuindzhi
 
 The evening of Ukraine   cn40 1878-1880 Oil painting 81x163cm
35261  
The far-away place of forest, Arkhip Ivanovich Kuindzhi
 
 The far-away place of forest   cn40 1890-1895 Oil painting 30.5x25cm
35254  
The Lake in the forest-Cloud, Arkhip Ivanovich Kuindzhi
 
 The Lake in the forest-Cloud   cn40 1890 Oil painting 38.4x55.5cm
35242  
The night of Ukraine, Arkhip Ivanovich Kuindzhi
 
 The night of Ukraine   cn40 1876
35262  
The sun in the park, Arkhip Ivanovich Kuindzhi
 
 The sun in the park   cn40 1898-1908

Arkhip Ivanovich Kuindzhi
Russian Painter, 1842-1910 Ukrainian painter, active in Russia. Initially self-taught as an artist, he twice failed the St Petersburg Academy's entrance examination, despite coaching by the marine painter Ivan Aivazovsky. In 1868, however, he was accepted as an external student. He persevered against conservative prejudice and poverty throughout his early career, supplementing his income by retouching photographs. In his early landscape paintings he often sought to capture seasonal moods, as in Autumn Mud (1872; St Petersburg, Rus. Mus.). A more human focus, however, is noticeable after 1874, when he joined the travelling exhibitions society the WANDERERS: the village houses dominate the landscape setting in Evening in Ukraine (1878; St Petersburg, Rus. Mus.). Kuindzhi's principal interest, however, was in lighting, and he obtained striking effects by using vivid colours, chiaroscuro contrasts and simple but cleverly conceived designs. Spectacular paintings, such as the Birch Grove (1879; Moscow, Tret'yakov Gal.), greatly moved contemporary viewers. Through years of experimentation, Kuindzhi developed a highly original technique, which he applied to an increasingly typical, at times almost visionary, treatment of subjects such as snow-covered mountains and moonlight (e.g. Elbnis: Moonlit Night, 1890-95; Moscow, Tret'yakov Gal.). Due to imperfections in the paints he used, many of his canvases soon darkened.



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